Showing posts with label harrison bankhead. Show all posts
Showing posts with label harrison bankhead. Show all posts

Thursday, December 5, 2013

Chicago Woj-tet / Liquid Soul at Made in Chicago day 3 (01.12)

Made in Chicago is a special festival for how it tries to convey the music's richness. One of the key words to it is: continouity. Chicago Woj-tet's music shows the continuity innate to jazz music, how it connects to the heritage of past decades, how its fruits come from the trees rooted in history. How the presence encompasses both past and future.

Robert Irving III tributes the band to the memory of Wojtek Juszczak that features both the veteran sax player Ari Brown as the youngster Leon Q Allen on trumpet (the sextet  is rounded up by Harrison Bankhead, Scott Hesse and Ernie Adams). The first piece is introduced by Irving with comparison of 80s in Poland to 60s in the States, the piece tries to express the rebellious times with ominous modal chords as the audience can hear fragments of talks, speeches, announcements (inbetween them, echoes of Lech Walesa and demonstration of "Solidarność"). Irving's story about his first visit to Poland (with Miles Davis band in the early 80s) was probably as valuable as the sounds themselves.

Friday, May 27, 2011

Harrison Bankhead Sextet - Morning Sun / Harvest Moond [Engine]

Harrison Bankhead - bass
Ed Wilkerson - tenor sax, clarinet, alto clarinet, didgeridoo
Mars Williams - alto, tenor, soprano and sopranino sax, clarinet, autoharp, wooden flute
James Sanders - violin
Avreeayl Ra - drums, percussion, wooden flute
Ernie Adams - percussion

Engine Records 2011

Harrison Bankhead appeared on numerous sessions and has been playing regularly with the most important figures of Chicagoan AACM scene like Fred Anderson, Roscoe Mitchell or Nicole Mitchell, but (to my knowledge) this is his first session as a leader.

"Morning Sun / Harvest Moond" starts the album gentle as a breeze, fragile indeed like the sun beams of the morning sun, with soft intertwining lines by two flutes and two string instruments. Violin sound is enchantingly beautiful.
"Chicago Senorita" that follows is driven by a strong melodic bass groove, double percussion and staccato horn line - all just a platform to violin solo that starts charmingly melodic to slowly gain bit wilder momentum, groove is incessant as the music dances forward, light and joyful. The piece ends with ethnic percussion solo that keeps the dance alive.