Resonance at Alchemia days 2 and 3 - Krakow Autumn Jazz 20-21.11

The week continues with more powerfull music, more crazy fun dj sets (Tim, Christoff and Ken would control the setlist for the afterparties), more drinks (surprising few mad dogs being drunk this year). Here's a brief summary of the 2nd and 3rd day with Resonance:

Day 2

Set I

Steve Swell – Waclaw Zimpel – Tim Daisy

A dynamic interaction between the three, one that let you appreciate both melodic and hectic side of improvised music.  The melodic - that would be for the most part the domain of Waclaw's clarinet, Steve countered those lines with trombone rambling, but there would be some parts where all three musicians would just kick it up a notch. The adventurous set closes with a primal ethno-passage with both Steve and Waclaw plaing wooden shepeherd flutes.

Resonance day 1 at Alchemia - Krakow Autumn Jazz Festival (19.11)

I've been offline last couple of days but I'll try to catch up quick- Resonance is back in Krakow. A group born 6 years ago on the festival transformed from a festival project into a regular group and a whole matrix of possible musical combinations. 

The alchemia evenings are exaclty that - an (al)chemistry laboratory of improvisation in a way, trying out all the possible combinations of x elements taken from y-large group. Here's the brief round-up of the first night:

Day 1

Set I

Magnus Broo – Mark Tokar – Tim Daisy

Freewheeling session with strong pulse, heavy bass tone and panache flurry trumpet flights. As groovy as abstract (Mark would massage and tap the bass as if it was a drum instrument). You can hear the enthusiasm and joy of meeting but most of all the level of communication between the trio's members (includin a semi-conducted drums-trumpet „cuts” during the monstrous bass solo). Strong set to kick off the week.

Max Johnson - Quartet [Not Two]

Mark Whitecage - alto saxophone, clarinet
Steve Swell - trombone
Max Johnson - bass
Tyshawn Sorey - drums


Not Two 2012

I think any reader of this blog is familiar with the names of Steve Swell, Mark Whitecage and Tyshawn Sorey. Who is Max Johnson you ask? Well, Max Johnson is the guy who gathered the three above mentioned in his band to release his debut cd. Such manpower in the hands of a new guy demand attention as well as caution.

Ken Vandermark Resonance Ensemble - What Country Is This? [Not Two]

Resonance:
Ken Vandermark - baritone sax & Bb clarinet
Dave Rempis - alto & tenor sax
Mikolaj Trzaska - alto sax & bass clarinet
Waclaw Zimpel - Bb & bass clarinet
Steve Swell - trombone
Magnus Broo - trumpet
Per-Ake Holmlander - truba
Devin Hoff - double bass
Michael Zerang - drums
Tim Daisy - drums

Not Two 2012

I've written very briefly about this band's performance in the beginning of the year and you can check the old post for a bit of background history. "What Country Is This?" is basically is a result of the third meeting of the band, recorded in Chicago studio session after busy small-groups concerts and rehearsal schedule. If you know the previous recordings (especially the last year's "Kafka in Flight") you know more or less what are you going to get, which means you shouldn't hesitate to take another round.

Inner Ear (Trzaska / Swell / Holmlander / Daisy) at Alchemia (21.03)

As Marek Winiarski introduced the band - Inner Ear is 40% of Resonance and that's already quite good result. Quartet was born 3 years ago, with the second meeting of the Resonance Ensemble. I've written recently about their fresh and first cd "Breathing Steam" as well as I talked about the band with Mikolaj and he spoke also about their first meeting: 

...You're on stage and you see it, you hear this is THE band.We play so many improvisational meetings, that's what this music is about. And sometimes you hear from the very firsttime this is THE group. You look, go one place and somebody's following you, or you can follow someone, or you canmake a turn and he will continue. It's all beyond any explanation...
(in the section "Interviews" you can find links to the entire interview)

I can confirm this is THE band, 4 musicians filling the air with flow of ideas, immagination, adventorous spirit, reacting and co-creating. Music for inner ear that demands focus but rewards greatly the attention (and the audience gathered in Alchemia was holding their breath to hear even the most futile sounds hidden in the apparent silence). I invite you to get back to the cd's review and interview with Mikolaj for more. As for the concert it all summed up for me in the brief moment - expression of complete excitement andon Tim Daisy's face as the band was about to start the second improv of the concert. He had no idea what was about to happen. And he enjoyed it immensely. So did I and (to judge from the final applause) the rest of the audience.

(photos taken by Krzysztof Penarski a week before during the Resonance performance)

Mikolaj Trzaska - baritone sax, bass clarinet, clarinet, objects

Steve Swell - trombone, objects

Per-Ake Holmlander - tuba

Tim Daisy - drums, percussion

Alchemia. Krakow. 21.03.2012

Inner Ear (Trzaska / Swell / Holmlander / Daisy) - Breathing Steam [Kilogram]

Inner Ear Quartet:

Mikolaj Trzaska - alto saxophone, bass clarinet, tarogat

Steve Swell - trombone

Per-Ake Holmlander - tuba

Tim Daisy - drums

Kilogram Records 2011

Inner Ear group is an offspring of Ken Vandermark's Resonance Project (it's second edition to be precise, the one that resulted in "Kafka in Flight"). All the musicians involved here arrived late to Krakow the first night of the project and thus was formed the group to play the last set of the evening. 

Ironically enough, when the decision to reunite came and the band was to play a small tour in Poland last year, Tim Daisy and Steve Swell got stuck at the airport in Munich and couldn't show up for what was planned to be the final concert of the Autumn Jazz Festival of 2010. The other two played that night with Ken Vandermark who fortunately was still in town (more about which in this post). All the travelling - logistics problems did slow them down, but in the end the quartet got together, united by the will to play music with each other. The music on this cd was registered a week later in Radio Gdansk Studio.

Ken Vandermark Resonance - Kafka in Flight [Not Two]

 

Resonance :

Magnus Broo - trumpet
Michael Zerang - drums
Ken Vandermark - tenor saxophone, Bb clarinet
Mikolaj Trzaska - alto saxophone, bass clarinet
Mark Tokar - double bass
Dave Rempis - alto & tenor saxophone
Steve Swell - trombone
Per-Ake Holmlander - tuba
Tim Daisy - drums
Waclaw Zimpel - Bb & bass clarinet, tarogato

Not Two 2011

This one I've been long waiting for. I had the privilege to witness the process of coming together of the first edition of this project. In 2007 Marek Winiarski and Ken Vandermark invited musicians from all over the world to Krakow, they would practice for an entire week every morning, play improvised sets of music every evening and finally perform as an orchestra on the last evening of the week (all of this material has been released - saturday concert in Lviv on LP, evening concerts and final concert in Krakow in a fantastic 10-cds "Resonance" box).

Two years later Resonance happens again, with the same musicians (one exception - Waclaw Zimpel takes over the place of Yuriy Yaremchuk), the same time of the year (main project of the Autumn Jazz Festival), the same place ("Alchemia" club which hosts the festival). But with only two days to practice (with first one being almost entirely lost because of flight delays). Because of that Ken has to change to concepiton behind this band. It is still big ensemble, so it draws on his experience of playing in and writing for Chicago Tentet and Territory Band, but, what is a clear difference, this is a jazz band and it relies on scored material. Only the organization of this material has to be different.

Lou Grassi PO Band with Marshall Allen - Live at the Knitting Factory vol. 1 [Porter Records]

Live at the Knitting Factory Volume 1

PO Band:

Lou Grassi - drums

Marshall Allen - alto sax, flute

Paul Smoker - trumpet

Steve Swell - trombone

Perry Robinson - clarinet

Wilber Morris - double bass

Porter Records 2010

recorded at Knitting Factory on September 26, 2000

While some of the most active avant-garde / free-jazz musicians release a handfull of records each year other remain criminally underrecorded which makes each available cd/lp even more precious. Bill Dixon comes to mind - an extraordinary artist of immense vision whose almost entire recorded output fits comfortably into one small box ("Complete Recordings on Soul Note and Black Saint" box set). What makes the recording presented here worthwile is obviously the music, but the fact that You get to hear such musicians like Perry Robinson, Paul Smoker or Marshall Allen (whose recordings outside of the Sun Ra Arkestra are extremely rare) makes it also one of a considerable historic value for jazz maniacs like You and me (or maybe just me). This is also somehow of an archival set since the concert presented took place a decade ago.

Jazz Alchemist votes for El Intruso 2010 Poll - part III

3rd portion of my votes for El Intruso 2010 Poll

Trombone

1. Steve Swell

2. Samuel Blaser

3. Jeb Bishop

-Steve Swell leads the pack with his Slammin’ The Infinite release “5000 Poems”, or his apperances on Sabir Mateen/Frode Gjerstad “Sound Gathering (both Not Two) and Lou Grassi’s Po Band “Live at Knitting Factory vol.1” [Porter Records] (release will be posted tomorrow).

-Samuel Blaser is probably the best polyphonic trombone player since Albert Mangelsdorff. The precision he displays when utilizing this technique is impressive as was to be heard on  concert with Pierre Favre (Krakow Jazz Autumn Festival) and on the duo’s cd – “Vol a Voile” [Intakt].

-Jeb Bishop playing is simply great and his compositions are kicking on his trio outing (“2009” [Better Animal Recordings])  as well as on the 2nd cd by The Engines (“Wire and Brass” [Okkadisk]) or Hamid Drake’s Bindu “Reaggelogy” [RogueArt].

Violin / Viola

1. Szilar Mezei

2. Maya Homburger

3. Rosie Hertlein

-Szilard Mezei viola playing is inspiring throughout his quartet’s “February Fadontes” lp [NoBusiness] as well as on “Bot” [Not Two] – a symphonic, large-scale project.

-Maya Homburger virtuosic solo performances of Barry Guy’s compositions were incredibly satisfying if ‘and now for something completely different’ moments of the Barry Guy New Orchestra week in Krakow.

-Rosie Hertlein appears on Ivo Perelman’s “Near the Wild Heart” record and her “strings duo” with Dominic Duval is a pure, chamber pleasure for Your ears.

Cello 

1. Daniel Levin

2. Fred Lonberg-Holm

Daniel Levin owns this spot for his duo with Rob Brown – “Natural Disorder” on Not Two.

Fred Londbergo-Holm contributes strongly to the sound of Vandermark V Special Edition (“The Horse Jumps and The Ship is Gone”  [Not Two]) and Vox Arcana led by Tim Daisy (“Aerial Age” [Allos Documents]).

Guitar

1. Mary Halvorson

2. Raphel Roginski

1-Mary Halvorson caught jazz-lovers' attention with her trio’s outing “Dragon’s Head” and with her last year quintet release she keeps it as she makes the “Saturn sings” [Firehouse 12] combining her incredible guitar sound with great compositions and strong leadership.

2-Raphael Roginski is polish guitarist who possesses an extraordinary sound. Example of his playing can be heard on debut Cukunft cd [Lado ABC] but should be experienced live to really appreciate it.

I leave the third spot empty but I’d like to mention two great pairing of guitars :

-Ava Mendoza and John Finkbeiner contribute to the unusual sound of “Hardboiled Wonderland" [Not Two] by Vijay Anderson.

-Geoff Farina and Dan Littleton combine team up together in the unusual line-up of “West” [Clean Feed] by Lawnmower (with Luther Gray and Jim Hobbs).

final part will be posted later today